This weekend, I received a comment on a recent post about professional headshots and it brought up an ongoing misconception that many actors have:
‘Even lighting, shallow depth of field, and a 10 minute photoshop touchup are not hard to explain… Guys like you are greedy @$$holes that spread disinformation.’
A headshot photographer can’t only shoot headshots, right?
I love fireworks, and I love taking pictures of them… this year’s Macy’s display in New York was great (although my view was a little limited on the roof of my building).
You’ve done your research, figured out your type, hired the best head shot photographer in New York City, and now it’s time for your headshot session… the session date is looming.
Now how do you look your best for your headshot?
It’s no secret that our nation is in a financial crisis, and between the already plunging economy, the effects of the Writer’s Guild strike, and the possibilities of a SAG strike, many actors and actresses in need of the best headshots money can buy, instead find themselves buying the cheapest head shot they can find. This is not a good thing!
Nick Coleman is passionate about getting actors working. The best headshots you can get are the first step, but Nick invests in actors, not their faces. Nick's first acting role was playing a donkey named Russell. His second role was Simple Simon, who met a Pieman, going to the fair. SAG, AFTRA, and friend to the beginner actor too.
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